A side note to this entry. I originally had Fly Me To The Moon here, but then I thought about it and added it to this list instead. Yup. The differences are SO small once we get this high that something can be easily knocked down two spaces based on a single flaw.
Babes
Ups: Funny.
Honest
Downs: Some scenes feel a little lazy and like they’re a first-draft.
Best Performer: Ilana Glazer
Best Moment: The meet-cute. From a writing perspective, it’s iconic and inspirational.
Worst Moment: The “bitch” scene. The way it’s filmed makes it seem like the two performers are in separate rooms recording their lines.
Opening: “THIS FILM IS SET IN NEW YORK” montage opening
Closing: She takes her child to the movie the kid’s dad was in before he died. Very sweet.
Best Line: “Best friends are screwed over as adults. If you don’t couple up you’re fucked”.
Original review here
Gladiator 2
Ups: Every character makes sense and is well-defined.
Looks fantastic.
Brutal deaths.
Fight and action scenes look like they hurt.
Downs: Is it necessary?
The historical inaccuracies will make your head hurt. It’s not just “this happened 10 years after”. Some weaponry wouldn’t exist for over 1000 years after the movie’s events. For similar timescales; imagine a film about William The Conquerer, where the invading Norman army drives Ford Fiestas. Think of how “well that’s bullshit” that would seem. Similarly; there was no way for the safe transportation of sharks to be used in the arena.
Best Performer: Pedro Pascal
Best Moment: The Naumachia, at least until the sharks turn up.
Worst Moment: Him being shown the armour etc of Maximus feels a little shoe-horned.
Opening: A beautiful opening credit sequence that looks like it’s been painted.
Closing: A new emperor is crowned.
Best Line: What does my past matter, when my future is only to die as a gladiator?
Original review here
Humanist Vampire Seeking Consenting Suicidal Person
Ups: Cracking title.
Very sweet.
When the music is good, it’s very good.
Downs: The above point about the music? Doesn’t happen enough.
Bland background characters.
It doesn’t establish the universe well enough. This is such a big problem because if it sorted that out, this would be in the next blog.
Best Performer: Sara Montpetit
Best Moment: Sasha and Paul listening to music together. Incredibly awkward and sweet. The way the characters move says so much without a word of dialogue. Paul’s revenge is also up there.
Worst Moment: Sasha breaks free from Henry in the park, hitting them. Feels weak, as if the hits have no weight to them.
Opening: It’s Sasha’s birthday, As a present, her family invited a clown over for dinner, as the main course.
Closing: Paul becomes a vampire and the two form a euthanasia team at the local hospital, draining people on their deathbeds. There’s then a scene of the two walking in the corridor, which wasn’t needed.
Best Line: I wouldn’t kill anyone other than myself.
Original review here
I Saw The TV Glow
Ups: The music.
The general feeling.
Some great performances.
Weirdly hypnotic
For someone out there questioning their gender identity, this will be THE most important film they’ve ever seen.
Excellent lighting.
Downs: It’s definitely too slow and weird for a lot of people.
Needs a clearer narrative.
Justice Smith isn’t quite confident enough to pull some of these moments off.
Best Performer: Brigette Lunday-Paine
Best Moment: Maddy explains how they buried themselves.
Worst Moment: When he’s at the cinema with a film playing behind him, mainly because whilst the Pink Opaque TV show feels real, the film does not, at all.
Opening: Some weird neon chalk drawings on a road at night. Very cool looking, it doesn’t feel like a horror movie, which I love as it helps everything feel real.
Closing: Owen breaks down at a party. Pretty damn creepy, especially since nobody reacts, they just kind of shut down like robots. He goes into a room and cuts his chest open, smiling when he finds TV static. Then goes back to work and apologises. There are a lot of different interpretations of this, which is good.
Best Line: It feels like someone… took a shovel and dug out all my insides. And I know there’s nothing in there, but I’m still too nervous to open myself up and check. I know there’s something wrong with me. My parents know it too, even if they don’t say anything.
Original review here
Juror #2
Ups: Tense.
Some great performances.
Interesting story. The kind you can tell someone and they go “Oh, I’d like to see that”
Will inspire discussion.
Downs: Bland visuals.
It wastes SOO much time.
Completely screwed over by the distributors.
It’s disheartening how believable it is.
Characters disappear.
Best Performer: Nicholas Holt.
Best Moment: Justins’ car journey, is depressing.
Worst Moment: Harold getting kicked off the case, mainly because you think it would lead somewhere.
Opening: Kind of bland opening. Hasn’t been that long but I can’t even remember it.
Closing: The assistant DA knocks on Justins’ door, so I’m assuming he gets arrested.
Best Line: We’re only as sick as our secrets.
Original review here
Late Night With The Devil
Ups: Chilling.
A lot of subtext.
Good performances.
Downs: Some wasted time.
The backstage moments completely break the immersion.
Doesn’t lead into the concept as much as it could.
Best Performer: David Dastmalchian.
Best Moment: The third-act carnage.
Worst Moment: The opening.
Opening: A documentary is investigating the events. Well not really investigating, just playing the show in full. Could have got away with cutting away from it for some sort of modern analysis etc, make it feel more like a documentary. As it is, the opening is just set up, and it all sets up stuff we would be told later anyway.
Closing: Lots of flashbacks and self-analysis. The closest a film has come to the Firefly Funhouse Match, but more normal.
Best Line: We go WAY back. We met amongst the tall trees… remember?
Original review here
Moana 2
Ups: Beautiful visuals.
New characters slot in perfectly.
Funny.
Downs: Unfocused, especially in regards to the villains.
Some of the dialogue is cringy.
The music is nowhere near as good as the first one.
Best Performer: Auli’i Cravalho
Best Moment: Assembling the crew. Always a super easy way to make a film entertaining as it allows quick jokes and character development.
Worst Moment: The death of Moana. Nobody in the audience buys it, and it’s over far too soon.
Opening: Moana has continued her adventures. Doesn’t feel like there’s been too much that has happened between the two movies. Which kind of makes it seem like the first one didn’t matter.
Closing: The island is connected to the world. Depending on how the third one goes, this is a genuine game-changer.
Best Line: “You look like a kidney stone”
“And you look like someone who would know what that is”
Original review here
Mothers’ Instinct
Ups: Some great shots.
Constantly keeps you on edge.
Downs: Doesn’t need a second watch.
Difficult to love.
Does nothing new.
Best Performer: Anne Hathaway
Best Moment: When Celine kills her husband. Slow, methodical, and brutal.
Worst Moment: The birthday party seems too cruel.
Opening: White women curtain twitching. If you know nothing going in, I’m not sure it would be as good. Knowing that it’s a thriller means you’re on edge throughout the opening, expecting something terrible to happen, instead, it’s a surprise party.
Closing: Celine adopts Theo after killing his parents. Chilling closing. Could have done a fake-out where she’s in court and made it look like she had been caught before revealing it’s for custody.
Best Line: Not really a line, but Hathaway’s scream is spine-chilling.
Original review here
Wicked Little Letters
Ups: Funny and sweary.
Olivia Colman is a delight
Fantastic chemistry between the cast.
Downs: Misleading trailer.
The “mystery” is pretty obvious.
Best Performer: Jessie Buckley
Best Moment: How they reveal the villain. Fun, caper-esque, and so damn charming.
Worst Moment: The death of Victoria feels a little misguided tonally.
Opening: Sweary letters are sent. It’s clear from reactions it’s been happening for a while. It sets up the repressed characters well and gets some good laughs in.
Closing: Standard “what happened next” reminds you that this stuff really happened.
Best Line: “It’s German”
Original review here




Yes, I know he’s already been in a Batman film, but anybody who see’s that one quickly wishes they hadn’t, so it doesn’t count. People say casting Batman is hard, try casting Gordon, imagine trying to find someone who can match Gary Oldman’s performance! Tommy Lee Jones is good at doing the whole “gruff cop” thing, he played it to perfection in The Fugitive. And if Ben Afleck can play an older Batman, then we need an even older Gordon, and whilst Tommy Lee Jones is old, there’s no doubt in anybody’s mind that he’s still got it. He still has the ability to become his character and entrance the audience with his performance.
The Perks of being a Wallflower could work well as most male incarnations of the character, I see him best as Tim Drake, the third, and to me most interesting, Robin. He always focused more on the detective side of Batman (he becomes Robin by working out who Batman is, like a badass) instead of just the physical like Dick Grayson seems to. Also, he lacks the usual tragedy in his past that motivates him to be Robin; instead doing it because he recognises Batman’s need for a Robin.
an it did in the original source material). Robin should not be the finished article, he should be someone who needs guidance, who needs Bruce, but pretends he doesn’t. He basically needs to be a young adult acting like a petulant child. But you also need to remember that he is still Robin, so his still very dangerous and could possibly kill you due to being trained in weaponry, but not being too great at stopping himself. I think Egerton could do that, he could pull off that dangerous apprentice, and then, when the time comes, move onto further things with the character.

we’re not just myths), enjoy it mainly just for the entertainingly camp yet oddly menacing fun he gave in his every scene in the overwrought film. He was a needed shot in the arm of fun the film needed. But ‘camp yet oddly menacing’ is not a good description for Lex Luthor, it is however a perfect description for one of Batman’s more zany villains, The Riddler. Some people seem to think Eisenberg was trying to be Ledger’s Joker with his performance, and who really the fuck knows. But! Change his name, outfit and give him riddles to constantly weave, and you’d have a pitch perfect Riddler; the fun camp of Carrey’s but with some genuine menace more akin with Nicholson’s Joker. Sounds good to me.
perfect casting. But there is a bit more to it than that, I swear. One thing Hardy’s take on the behemoth captured well was how charismatic Bane is, a master of words as well as muscles, but it’s the latter of that is something I don’t think he captured as well. Yeah Hardy was big, but he wasn’t Bane big (I know I know, Nolan realism and all that), that’s where I think Dwayne could come in magnificently; as if there are two things The Rock is known for, it’s being fucking huge, and being very charismatic. The real hurdle would be whether someone as lovable as Dwayne Johnson can play a threatening villain convincingly and I don’t know, but I think he could. Again I think his sheer size will be his trump card in that department, and I think we can all agree we’ve seen less threatening looking people pull off being evil. Cough. One Hour Photo. Cough. Cough. Cough. Cough.
Dafoe has made a career of playing deranged and creepy characters, so topping it off with the Clown Prince of Crime just seems natural (and who cares if he’s already played an iconic super villain? No one gives a shit Chris Evan’s played the human torch anymore.) But it’s beyond him just playing crazy well; it’s the lairs and distinctive ways he can play crazy, from a comical bloodsucker in Shadow of the Vampire, to a just plain nasty hitman in Wild at Heart, to just playing fairly normal guys in Platoon
ff, now go away). Seriously, watch Nightcrawler, he’s insanely brilliant there with a sense of danger and fun that would make him perfect for the role of the Joker. The “fun” there is the most important aspect there for me, Heath Ledgers Joker was disturbing, no doubt about that, but it wasn’t that funny. The Joker should be a clown, their should be a comedic side to him, even if that comedic side is slow-cooked in sociopathy. For proof of this, what’s the definitive Joker story? The one most people use as a reference point for that character? Answer: The Killing Joke. Now, how does that story end? Answer: with a joke. The Joker tells Batman a joke mid fight scene that makes him break down in laughter (and maybe causes Batman to kill him, if certain
completely recreated the mad scientist with a freeze-ray into a sympathetic Shakespearean tragedy; a normal man who only became the villain we know because he was betrayed while trying to save his wife’s life, and then became stricken with grief ready to go to any extreme needed to avenge her. So who better to bring this bald heart of ice to life than this classically trained bald thespian? As when he’s not trying to kill boy wizard’s. Fiennes is known for his startling character acting, bringing depth and nuance to countless characters; from portraying Nazi’s to a Hotel concierge. Add in his action experience in the Harry Potter Series and you have an actor seemingly born to bring this chilling villain to heart stopping life.
n his emotional arc won’t be as effective as it was in the animated series due to English being the actors second language. But there’s a lot of characters in this hypothetical film, and I feel the villain who will have the least screen time would be Freeze, so you won’t have time to go into his tragic backstory, you need someone with presence who can come in for a few scenes and knock it out the park, and I feel he can do that.