Tag: Companion

2025 Film Awards: Day Two

On By troubledproductionsIn AwardsLeave a comment

Best Performance

Nominees

A Real Pain – Kieran Culkin

Truth is, everybody in this movie is superb, and it was incredibly difficult to choose between the two leads. Culkin JUST edges it. Eisenberg nearly clinched it with the scene in the restaurant, and if he had been given more chances, he would have won it. But Culkin’s consistency wins out. Throughout the entire runtime, he is a ball of depressed confidence. Someone who seems confident but is racked with self-doubt and who you can easily imagine committing suicide the second he leaves a room after telling a joke.

Bring Her Back – Sally Hawkins

Anybody who watched The Shape of Water knows how good Sally Hawkins is. But anybody who watched Godzilla: King of Monsters knows that she is sometimes wasted. That’s not the case here. I was not a fan of this movie, but even I could see how magnetic her performance was. Her face is so expressive that it’s essentially an emoji.

Companion – Sophie Thatcher

Androids/aliens that present as humans are always weird things for actors to play. They need to be human enough that people would believe them as human at first view, but have a weird otherness to them that you can buy that they’re not human. So when someone does it as well as Sophie Thatcher does, I believe that has to be commended.

Last Breath – Woody Harrelson

I’ve liked Woody in a lot of stuff I’ve seen: Money Train, Cheers, Zombieland, etc. But I’ve never seen one of his performances and thought “now THAT’S an actor”. Not that he’s ever been bad, but he’s never really been the most impressive performer. Which is why Last Breath surprised me so much. This was one hell of a performance. He plays the usual Woody character, but when shit gets serious, he impresses. He gives one hell of a performance, showing SO much emotion. It’s truly impressive, and I don’t know where he pulled it from, but I want to see more.

Mickey 17 – Robert Pattinson

He plays multiple versions of the character, but it’s the two that lead the film where he earns his acclaim. You can see a still image of him playing both characters, and know which one is which due to his body language. Both of them are so profoundly different that it really allows Pattinson to show what he can do.

Winners

Sinners – Michael B. Jordan

Anybody who watched the Creed movies knows just how good he is. But I believe Sinners is the movie where it becomes undeniable. His dual role shows just how good he is. Similar to the Pattinson example: you can see a still image and know which one he is due to body language. In 2019, I adjusted the way I list awards; instead of having “best actress” and “best actor”, I’ve had “best performer”. Here are the winners since then:

Cailee Spaeny (Civil War/Alien: Romulus)
Stephanie Hsu (Everything, Everywhere, All At Once)
Lily Gladstone (Killers Of A Flower Moon)
Julia Sarah Stone (Come True)
Elisabeth Moss (The Invisible Man)
Lupita Nyong’o (Us).

A wide variety of performers and performances, but they all share one thing in common: they’re all women. Officially, Michael B. Jordan is the first person to win a gender neutral acting award on this website. Is it as big a boost to his career as an Academy Award nomination? Only time will tell. (spoilers; it will definitely not)

Best Character

Nominees

A Real Pain – Benji

Again, it was difficult to choose between the two leads. It could genuinely be any of them. In the end, I went with Benji because of the inner conflict going on. He’s just slightly more interesting. It’s also possible that I related to them a bit more; he’s funny, charming, and people like him, but underneath, he’s a complete mess who’s barely holding it together. If you remove the parts about being funny, charming, and liked, then he’s exactly like me.

Captain America: Brave New World – Isaiah Bradley

I’m uncertain about placing this here because he was a character in a TV show first, but I haven’t seen that show, so my opinion is based entirely on his characterisation in Brave New World. It’s always fascinating when series like the MCU hint at a wider world, and Isaiah is a great example of that: a superhero who has been discarded and mistreated by his own government.

Companion – Iris

It’s impossible NOT to root for Iris. A feminist icon for the AI generation. It all feels genuine and unforced. Compare this to the way that Endgame did the “girl power” moment that felt deliberate and shoehorned. Iris is a fantastic character; strong, independent, smart (after the adjustment), and importantly, she wins. She is sexualised by the characters, who refer to her as a sexbot, but she’s NOT sexualised by the film itself; the character isn’t made to bend over suggestively for the camera under the guise of “well, she’s a sexbot, she would do that”. The film treats her with respect, and that’s depressingly refreshing.

Love Hurts – Marvin Gable

Sometimes it’s good to see somebody who is just nice. No cynicism, no evil, just kind. Okay, he was a ruthless assassin, but the film does SUCH a poor job of showing us that, so his evil side never really comes through. Marvin is not on the level of Paddington, but it’s the closest of the year.

Novocaine – Novocaine

This character could have been terrible. “He can’t feel pain” could have just been dumb, and met with lots of people being like “it would be so cool to have that, I’m jealous”. Novocaine really stresses how horrible that condition actually is. It doesn’t make you a badass superhero; it makes you unable to know when you need to pee, it makes it so you can’t eat solid food because if you bite through your tongue, you wouldn’t notice, it makes it so you won’t know if you step on a nail until your shoe fills with blood. It’s a very mature take in a movie that didn’t need to be as mature as it was.

Opus – Alfred Moretti

Opus has a lot going for it, and while it isn’t great, it would be a lot worse if Moretti weren’t believable. The audience needs to forget that he’s John Malkovich and believe he’s a larger-than-life musician. He’s written so well that that’s easier to do. It’s not just him, it’s the way the other characters respond to him. He’s built up to be a huge deal, but not in an obvious “characters talk about him” way. We’re not just TOLD he’s a big deal, we’re shown he’s a big deal. It also helps that the songs are great.

Winner

Superman – Superman

In a world where not being a dick is seen as “woke”, kindndess is punk as fuck. I will admit, for a lot of my life (especially when I was an angsty dickbag), I didn’t “get” Superman. But films like this demonstrate why he is as beloved as he is; he is good. Not heroic, good. Someone who is driven not by his strength and powers, but by his inherent desire to do good.

Worst Character

Black Phone 2 – The Grabber

This is entirely down to how they change him between the films. In the first one, he was a serial killer, but still human. In this, he’s basically Freddy Krueger. I like Saw, I like A Nightmare On Elm Street, but if A Nightmare On Elm Street were a Saw sequel, it would make me like both a lot less. Normally, horror movies wait until the 5th movie before they get supernatural and stupid.

Happy Gilmore 2 – Happy Gilmore

I liked Happy Gilmore when I was a teenager. But despite what my level of maturity tells me, that was a long time ago. I’ve matured (kind of), grown up, Happy hasn’t. He’s still the same character he was at the end of the previous film. Yes, he now has kids and a dead wife. But personality-wise? He’s still the same. That kind of shtick works when you’re in your 20’s, as someone of his age, it’s just kind of pitiful, like when you see a man in his 30s drinking in a park.

One Of Them Days – King Lolo

When you watch the original Friday (which is the closest comparison anybody can make to this movie, Deebo looms heavily over everything. Even when he’s not onscreen, you are aware that he can come in at any time and fuck everyone up. You never really feel that with King Lolo here. For most of the runtime, he’s forgotten.

Urchin – Mike

It’s not fun or interesting to watch someone repeat the same mistakes and not learn anything.

Y2K – Eli

He’s an entitled incel-in-training,

Winner

Kinda Pregnant – Lainey

Maybe this film would be better if the lead character were likeable. The trouble is, her logic is so stupid, her motivation is so insincere, and her actions are so ridiculous, that it’s hard to root for her to win. You don’t necessarily want her to lose or suffer harm, but you’re not really made happy by seeing her in moments of joy. It’s a shame as there are fleeting moments where her character does work, the initial meeting with Josh is very sweet and cute, but that sweetness doesn’t make it to the rest of the film.

2025 Film Awards: Day One

On By troubledproductionsIn AwardsLeave a comment

Funniest/Best Comedy

Nominees

A Real Pain

At times, this is the saddest film you will see, it will break you. That’s to be expected; it’s about family trauma, mental health, and the holocaust. What you may not expect is just how funny it is. So whether its with sadness or with laughter; one way ot another you will end up crying. The laughs are big enough to just about carry you through the sadness. They’re logical laughs, too. Based on believable character reactions. If you tell people what this film is about it will be difficult to convince them it’s a comedy. Once they watch it though, they’ll get it.

Deep Cover

I was weirdly charmed by this. I think the trailer lets it down, ruining most of the jokes by changing the timing or removing the context. If you think about it too hard, then the plot does fall apart. Thankfully the jokes are good enough to tide you over the plot issues. It could be funnier, there are multiple missed opportunities, especially towards the end. But the jokes that are there are pretty damn fine.

Heads Of State

No idea why, but my brain links this and Deep Cover, so the fact I put Deep Cover in this category kind of meant I had to put this here too. There are some great comedic action scenes, especially the one where they land and fight a random group.

I Swear

When this site was set up over a decade ago, there were some discussions that had to be made. Among those; the slogan. We hit upon “Making you feel guilty for laughing”. Whilst that may not be totally accurate now due to our move away from lists/opinion pieces and towards reviews, I like to think it’s still incredibly accurate when I showcase scripts (trust me, I’ve got one lined up the next time there’s a lull in reviews, and it was written just to see if I can make a VERY dark scene work). That slogan would also be accurate for I Swear. It’s so inappropriate that you can’t help but laugh. I never thought I’d say this; but this will make you laugh at a cancer-stricken woman being punched in the face. It would be so easy for this to cross the line and be offensive, but the writers make it work. It’s also weirdly sweet at times. The scene of him and the teenage girl in the car (it doesn’t go where you think it does) is both hilarious and sweet.

The Naked Gun

Not quite as joke-filled as the original movie, but if it’s a genuine surprise that you can say something like “sometimes there’s a whole 40 seconds without a joke” then you know a film is packed with gags.

The Roses

This got the loudest laughs of any film I saw this year. Absolutely shocking, but also brilliant.

Winner

Fackham Hall

Very similar to The Naked Gun in terms of comedy style and consistency. Fackham Hall wins out purely based on the fact that I’ve excitedly told more people about it. I haven’t felt a need to watch The Naked Gun trailer again (although I have kept an eye out to see if it’s been added to digital services), but I must have watched the trailer for this at least once a week since I watched it. The only surprising part is that a Jimmy Carr movie would be so inoffensive.

Scariest/Best Horror

Nominees

Companion

Not a traditional horror movie, more of a thriller. But I’d be remiss if I didn’t mention this. In terms of actual movie quality, this is probably the best of this list. But in terms of horror? Not quite. The gore is fantastic though when it is used.

Drop

Not quite as close to the horror genre as the directors previous work. But it would be hard to argue this doesn’t belong here at all. It’s such a simple premise, and one which hits straight at modern fears.

Heart Eyes

For 75% of the runtime, Heart Eyes is a damn fine horror movie. It falls apart at the end with the reveal of who the killers are, but before that it’s a modern classic. Brutal, smart, and (importantly), characters you don’t actually want to see die, so you are worried when they’re near death.

Sinners

Actually, forget what I said about Companion. THIS is the best movie in this category, probably one of the best movies I’ve seen all year, in fact (definitely top 3). It is more of a horror movie than Companion, it just takes longer to become one.

The Monkey

Silly, utterly ridiculous. But so inventive and bloody that I couldn’t help but feel warm towards it.

Weapons

I didn’t rate this as high as a lot of people did, but it would be naive of me to not say how creepy it is when it does work. I had a few issues, but they’re pretty much all personal preference.

Winner

Final Destination: Bloodlines

This was a new experience for me. I’ve seen all the Final Destination movies before, but on TV or DVD, but Bloodlines is the first in the series that I’ve seen in the cinema. It’s difficult for a movie this far into a franchise to still feel fresh. The deaths are as good as ever, incredibly creative and able to make you scared of everyday things.

Worst Comedy

Nominees

Bride Hard

I can’t sum it up better than William Bibbiani did in his review on TheWrap:

“It’s abrasively hard to watch. It’s not just that the jokes fall flat, it’s that the film looks like a pile of celluloid got chopped up randomly and reassembled in what the editor could only assume was the correct order, because the script mysteriously vanished”

Happy Gilmore 2

I suppose my main issue with this movie comes down to the fact that in the time since the first movie, I’ve matured as a person (not by much) and as a movie-watcher, and it doesn’t feel like Sandlers tastes have matured at all. The references to the original don’t feel organic, and the film doens’t trust that you recognise them, so they include flashbacks which disrupt the momentum.

Winner

Kinda Pregnant

The key to comedy is truth. It’s why no comedian has started a routine with “don’t you hate when you’re drinking a glass of lemonade and it mutates into a cheese sandwich, but your girlfriend is allergic to dairy ever since she was bitten by a yak?”, because that’s not a situation anybody can buy into, so the jokes won’t work. The central premise of Kinda Pregnant isn’t one you can buy into, and the way some background characters react makes it even more unbelievable. There are a few good laughs; I particularly liked it when she got a classroom to boo a small child, but those moments are too few.

Worst Horror

I Know What You Did Last Summer

Were people crying out for this film? Was there a need for it to exist? The third one is universally regarded as one of the worst horror films of all time (and think of the ground THAT covers). This version has some fairly decent kills, and it is nice to see some of the original characters again. But there’s not much else to it. It’s a tonal disaster, especially at the end. The story falls apart under the smallest bit of scrutiny. The first movie is incredibly closely tied to Scream, and it’s hard to argue against the feeling that the release of this was entirely due to that franchise being rebooted a few years back.

Keeper

Not so much a story, more a collection of creepy moments.

M3gan 2.0

I legit love this movie, but it’s not a good horror. Tbf, it’s not trying to be, but the expectation was it would at least play to horror tropes slightly.

Silent Night, Deadly Night

It had some good ideas, and I will always appreciate watching Nazi’s die (especially on the news), but SNDN was far too stupid for me to enjoy. Similar to other films in this category, the plot falls apart once you think about it. The murders all seem to happen in a vacuum, having almost no consequence on the town. I’m not saying every sentence needs to be “I haven’t seen Bob around, have you?”, but if a hundred people die in a small town, people should notice. Also, the deaths in this aren’t meant to be scary, you’re supposed to cheer them.

Winner

Until Dawn

Videogame adaptations are hard; do you adapt the story, or the general spirit? Whenever somebody says “dude! They should make a Grand Theft Auto movie, it would be sick” I wonder what that would actually be like. The fun in GTA is playing it, not the story, so a film would just be a ridiculous gangster movie. The best adaptations attempt both. It feels like Until Dawn focused on story, and in doing so, ruined what made the games great. I haven’t played the game, but I’ve played the Dark Pictures Anthology games and The Quarry, made by the same company. What makes those games special is choice; how seemingly innocuous decisions can kill people. Plus; you have to stick with your choices. It’s all about consequence. So an adaptation which makes a point of saying that consequences don’t really matter because it will all reset seems to have missed the point.

Most Unique

Freaky Tales

You really don’t see many anthology films, so that alone is weird. But the tone of Freaky Tales is what sets it aside. It feels like a comic book adaptation. The science fiction elements are so underplayed it’s almost as if the film doesn’t think it’s worth mentioning because they’re so normalised in this world. I can see why people would dislike this movie; but it’s certainly charming, and unlike anything else I’ve seen all year.

Here

This is a fascinating concept; essentially the history of a house told in a non-linear fashion with the camera never moving. It doesn’t always work, with the crossfading being a bit too distracting at times. It definitely would have been easier to maintain momentum over a shorter runtime, but I’m glad that it tries. It’s not exactly a success, but it’s too impressive to be a failure.

Presence

A host story (very much NOT a horror) from the POV of a ghost. That aspect is really helped by the flowing camera movement. I may not have liked this film, but I appreciate it.

The Second Act

A film that’s so meta that it almost folds in on itself. Too meta, even for me. This will frustrate the hell out of 90% of people, but the 10% of people who like it will love it. I don’t think I’ve ever been as weirded out by a realistic film.

War Of The Worlds

“Unique” doesn’t always mean “watchable”. I love a good screenlife film, and am always excited to watch one when it comes out. An alien invasion movie made like this is a fascinating prospect, but this doesn’t even come close to living up to what it could/should be.

Warfare

Another gimmick, this time, a war movie that takes place in realtime. Not many films portray the reality of war, this at least shows the horror, how it can completely fuck with your head. Essentially, it’s PTSD: The Origin Story.

Winner

Good Boy

A horror movie from the POV of a dog, I haven’t seen anything close to this outside of a video game.

Saddest

A Real Pain

It’s weird that a film can be in both the “funniest” and “saddest”, this manages it, and is a big part of why (spoilers) I’ve nominated it for best film of the year. It’s not just because of the holocaust mentions, the approach to mental health will also be depressingly realistic to those who suffer (or those with basic empathy).

Key scene: So many options. I’ll go with Benji when he loses his cool on the train. Other moments are sadder, but that’s when the mask falls furthest.

Bring Her Back

I was not the biggest fan of this film, but I appreciate the way it showed parental grief. It’s the grief that adds another dimension to the character, turning her from just another horror movie villain, to someone with relatable motivations; motivations which will break you slightly.

Key Scene: I guess the whole thing. The limits that Laura went to so that she can bring back her deceased child.

I Swear

To paraphrase the film: it’s not the tourettes which makes this film sad, it’s peoples reactions to tourettes which are the problem.

Key Scene; When he gets hospitalised due to a misunderstanding. You can tell that he is worried that that’s what his life will be like from now on. That he is always at risk of someone beating the shit out of him because of something he can’t control.

Winner

Final Destination: Bloodlines

I could spin a yarn about how this movie touches on survivors guilt and mortality, and say this film is on that list because of that. Really, it’s because of one scene, and one scene only.

Key scene: Tony Todds farewell. He wrote it himself, he knew he was going to die soon and was given the chance to say goodbye to horror fans on his own terms. Other movies have been sadder all the way through; but the real-life meaning behind the sadness is why this wins.

Sweetest

Freaky Tales

It seems like the modern world is designed to cause division and anger: from football teams, to wrestling companies, to MCU/DCEU (and even then there’s subdivision between Snyder/Gunn). In those times it’s nice to see films like this; films which demonstrate we can all come together in one uniting perfect ideal; knocking seven shades of shit out of nazi cunts (fuck off)

Karate Kid: Legends

This film was not made for me. It was made for fans of the franchise, or people who, at the very least, had watched one of the films in the franchise. I went in relatively blind; yet was still charmed.

Winner

Heart Eyes

You wouldn’t expect to find a horror movie in this section, but here we are. The romantic relationship between the two leads is what separates this movie from other horrors. The romance is so great that I would have been genuinely disappointed if it turned out he was the killer; it would have actually made sad for the character, just as heartbroken as she would be. Of course, I also would have criticised it for being predictable, but still.

Most Me

Essentially, films which may not be great, but I connected with on a personal level. Films which I would show someone to best explain my taste and personality.

Companion

Bloody, funny, and feminist as fuck. Some people have described this as “anti-male”, it’s not. It’s anti-abuse, and if you see that as “anti-male” then that says more about you than it does the movie.

Matt And Mara

A “platonic” friendship full of awkwardness and conversations that consist of pop-culture references? This is the exact type of thing I write. So it’s a shame I didn’t like this. Possibly because it’s so close to me that all I could see is how I would have done it.

Queen Of The Ring

It’s a film about wrestling, of course, this would appeal to me. The soundtrack is very me too, the cover of Gods Gonna Cut You Down in particular, does feel very geared towards me.

The Ugly Stepsister

I’m a fan of retellings, and few have been done as slickly as this was. A few of these types of movies have been bad, so when it’s done well it’s a huge relief. This doesn’t just retell the story, it brings its own identity to it too. There’s some great stuff in here, stuff that will stick with you long after the credits roll (actually, this was released on streaming services, so it’s actully “long after you get a pop-up telling you to watch something else because god forbid a streaming service actually lets you settle with the impact of a movie instead of just forcing the next one down your throat).

Winner

A Real Pain

A depressing yet hilarious film that touches on mental health, isolation, mortality, and the holocaust? Love it. Plus, it stars Jennifer Grey, who I’ve always had a soft spot for.

2025 In Film: Day Nine (The Almost Amazing)

On By troubledproductionsIn Year round upLeave a comment

Companion
Ups: Bloody
Feminist as fuck
Great performances
Funny.
Genuinely great mid-twist.
Downs: It doesn’t seem to live up to its potential.
Too many important things happen that don’t affect the plot.
Best Performer: Sophie Thatcher
Best Moment: Her encounter with the cop. Genius.
Worst Moment: The suicide of Eli doesn’t quite hit as it should.
Opening: Iris talks about meeting Josh, then states she kills him later on. Doesn’t give the game away too much (unlike the trailer).
Closing: She waves to another companion. It should have been better.
Best Line: You’re right. I do know you. I know everything about you. I know you take almond milk in your coffee. I know you like your bedsheets untucked. I know your favourite hobbies are bar trivia, video games, and prattling on endlessly about everything the universe owes you. I know that you always need to be in control. I know that you have a below-average-sized penis. And I know that you think that having a few million dollars will disguise the fact that you are just a sad, bitter, weak human being.
Original review here

Heart Eyes
Ups: Some great kills.
Fantastic chemistry between the leads.
The attacks have weight.
Downs: The reveal is underwhelming.
The red herring is too obvious.
Best Performer: Olivia Holt
Best Moment: The meet-cute. May be a bit weird to put that in a horror movie, but it’s central to the characters working and you easily buy into it.
Worst Moment: The reveal. Easily.
Opening: Two (insufferable) people die. They really are annoying.
Closing: The couple are still together. Very sweet.
Best Line: I didn’t know that murder was a love language.
Original review here

I Swear
Ups: A touching look at an often misunderstood condition.
Highlights how far we’ve come in disability acceptance (but still not far enough)
Downs: Not every part of his story is needed.
Doesn’t mention he was part of a BBC documentary, which kind of undermines his message somewhat.
Best Performer: Maxine Peak.
Best Moment: When he meets the young girl with it.
Worst Moment: When he moves into a council house and ends up a drug dealer. Could excise that entire section and you wouldn’t notice.
Opening: Him receiving an MBE, and swearing at the Queen.
Closing: Video footage of the real person. He does actually punch Dottie in the face.
Best Line: The problem is not Tourette’s, the problem is that people don’t know enough about Tourette’s.
Original review here

Nobody 2
Ups: Violent.
Fun.
Sets up future films.
Good soundtrack
Downs: Not as good as the first one.
Some baffling decisions made by characters.
Best Performer: Bob Odenkirk.
Best Moment: The arcade fight.
Worst Moment: As much as I did enjoy it, Lendina killing everyone in the casino. Those are tourists, that would raise attention.
Opening: Hutch has to go on assignments to pay off the debt caused by his actions in the first movie (consequences!), we see how one of them goes.
Closing: A batshit insane Home Alone-style shootout in a fairground. Wonderful.
Best Line: Never bring a machete to fucking Katana duel,
Original review here

Predator: Badlands
Ups: Charming.
Wonderful world-building, the planet truly feels alive.
Ties into the Alien series, but not too obviously.
Downs: We don’t see enough of the Kalisk to make it feel like a genuine threat.
Characterisation snaps back too often, makes it seem like we’re being shown out of order.
Best Performer: Elle Fanning.
Best Moment: The trio taking over the base. So much fun.
Worst Moment: The tooling up sequence. Don’t get me wrong, it is pretty damn great, but it’s also not clear enough what some of the things are.
Opening: Introduces Dek and his brother, only to then kill one of them off. Sets the stakes up, and shows you just how expressive Dek can be.
Closing: Patricide. Really the only way it could end.
Original review here

Queen Of The Ring
Ups: Some GREAT music.
Genuinely fascinating story.
Friendly to newcomers without being insulting to fans.
Downs: Could explain some stuff more.
Skips some parts too quickly.
Best Performer: Emily Bett Rickards
Best Moment: When she wins the title.
Worst Moment: The shoe-horning of Vince McMahon Sr. seems weird.
Opening: Her fighting in Georgia. She’s struggling, in a lot of pain, and her son helps her back.
Closing: The match finishes in a draw, there’s shenanigans. Then text saying what happened to the main characters. “She never got to wrestle in the Garden” is tearjerking.
Best Line: “what we ask our wrestlers to put their bodies through in the ring, is what we ask our fans to put their emotions through in their seats”
Original review here

Superman
Ups: Very much needed at a time like this.
Understands its characters.
Great world building.
It’s nice to have a villain who’s evil. Not “misunderstood”, not “i can fix them”, just someone who is an irrefutable piece of shit.
Downs: Lacks iconic music.
Sets up films which might not happen.
Best Performer: David Corenswet
Best Moment: When Lex shoots Malik. Classic heel move.
Worst Moment: The whole “opening a crack in the earth” plot.
Opening: Quick text summary of metahumans and Superman, then footage of him after he’s had the shit kicked out of him. Brave to start a Superman movie with a shot of him being vulnerable.
Closing: Luthor’s scheme has been uncovered, and the billionaire has been arrested. Bit unrealistic.
Best Line: I am as human as anyone. I love, I-I get scared. I wake up every morning, and despite not knowing what to do, I put one foot in front of the other, and I try to make the best choices that I can. I screw up all the time, but that is being human, and that’s my greatest strength. And someday, I hope, for the sake of the world, you understand that it’s yours too.
Original review here

The Fantastic Four: First Steps
Ups: Nice time capsule.
Different.
Has heart
Never slips visually
The characters genuinely feel close.
Downs: The Natasha Lyonne sub-plot goes nowhere.
Doesn’t make you that excited for Doomsday
Best Performer: Pedro Pascal
Best Moment: The Silver Surfer flashback
Worst Moment: Sue Storm being brought back to life. Mainly because it takes sooooo long to happen, when everybody watching knows not only what will happen, but how it will happen.
Opening: Sue and Reed at home being domestic. I have very specific issues with this opening, the big one being that it’s kind of mundane and dull, especially when there’s a REALLY good introductory scene afterwards of a talk show host explaining the characters background. That would have been a much better opener.
Closing: The five are about to appear on a talk show but have to leave for some unspecified emergency. Would have been nice to see what it was.
Best Line: Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it’s the only thing that ever has.
Original review here

Wake Up Dead Man: A Knives Out Mystery
Ups: Great performances.
Good character development of Benoit.
NAILS the closing.
Downs: Not as good as the other two.
The central mystery isn’t that compelling.
Best Performer: Daniel Craig
Best Moment: The ending.
Worst Moment: When Nat stabs the body, doesn’t really work.
Opening: Priest punches someone in the face and reassigned.
Closing: Jud has reopened the church, the jewel being the hidden centrepiece.
Best Line: Here’s what’s gonna happen: Benoit freakin’ Blanc and I are gonna ask you all some questions, and you all are gonna answer them and we’re gonna get to the bottom of who killed Monsignor Wicks and why and then… that’s it!
Original review here

Novocaine (2025) Review

On By troubledproductionsIn ReviewLeave a comment

Quick Synopsis: A character nicknamed Novocaine can’t feel pain, he decides to utilise this after his love interest is kidnapped.

The world is shit. That has been the case for a while, but just today the world has seen a submarine sink in the Red Sea, storms destroy sacred temples in South Korea, journalists arrested in Turkey, and my custard cream just broke apart in my cup of tea. In times like this, while important and political films are needed, it’s nice to have a bit of escapism. While I LOVE films like A Real Pain, sometimes (and this may come as a shock) I want to watch a film that makes me happy rather than make me feel things.

It’s also a nice change to have Jack Quaid play a man who isn’t responsible for a woman being set on fire, makes a nice change. I’ve seen Quaid in Scream, and Companion (as reviewed here and here), but this is the first time I’ve seen him as the undeniable lead. He does a really good job. I’m used to seeing him as a sociopathic dickweed, so this is a nice change. He definitely has the charisma needed, maybe not for a major action film with a bigger budget than this, but I feel he has the charm to lead a rom-com.

He’s helped by a pretty tight script. Novocaine isn’t the smartest, most mature movie, but it does a really good job of showing why the characters’ inability to feel pain is a bad thing. We see how it affects his day-to-day life, from not being able to eat solid food in case he bites his tongue without noticing, to having to set a timer to pee because otherwise, his bladder might burst. This is a rather long-winded way of saying that for a dumb movie, this is pretty smart.

Novocaine makes the most of its concept, with every single action scene based around the gimmick. None of the scenes would work in a different film, which is what you want from something with such a unique gimmick as this.

Even outside of the gimmick, it kind of works. There’s a genuinely good mid-twist. On the downside, there’s something that’s supposed to be a twist, but was instead all over the marketing. Production companies NEED to stop doing that shit, especially with things that won’t actually make anybody see the film, so all they do is ruin the enjoyment of people who actually pay to watch the film.

Now on the downside: it is hard to ignore just as one-note this is. That doesn’t stop it being good, but it does stop it being great. Yes, it is a good gimmick, but the film’s reluctance to ever move away from it does mean it resembles a modern-day SNL sketch that goes on too long and features people you don’t know (or in other words, an SNL sketch). Also, the villains are not that interesting. I can vaguely remember what they look like, but it’s difficult when they don’t have that much screen time and spend most of that just sitting still waiting for the hero to come to them.

It’s also not technically the greatest. The fun from the fight scenes comes all from the script and performance, not from the direction. There’s one fight sequence near the end where the visuals actually detract from the action, with the core moment of it being too difficult to see what’s actually happening.

In summary; if this was the 90s it would be the perfect film to rent from blockbuster, in 2025? I dunno, watch it on Netflix or something, I guess.

Companion (2025) Review

On By troubledproductionsIn ReviewLeave a comment

Quick Synopsis: A weekend getaway turns bloody and violent when a subservient android that’s built for human companionship goes haywire.

First Scream (the “new” one, not the original), now Companion. Why do female partners of Jack Quaid keep getting set on fire in horror movies? Amber Midthunder should be relieved that Novocaine will be an action movie instead of a horror (a movie I’m genuinely looking forward to by the way). On the subject of Quaid, why hasn’t anybody cast him as the son of Joshua Jackson in anything? He looks more like him than he does his own dad. Anyway, enough dilly-dallying, on with the actual review.

Companion is god damn delight. More of a thriller than it is a traditional horror movie. That doesn’t underplay the deaths by the way, when characters do die, it’s horrific. Some of the deaths are incredibly cathartic too, it’s good to see bad things happen to bad people. A lot of horror movie writers know this, but make the mistake of writing every character to be an insufferable dickbag (were there any tears for any of the characters in Unfriended outside of tears that it took so long?). In those cases, while you get catharsis, you’re also spending all your time with characters you don’t like, so it’s not an enjoyable experience. While most of the characters in Companion are unlikeable, it’s in a very human way and they’re still entertaining to watch. A lot of is due to the performances; there’s something inherently likeable about Jack Quaid even when he is being an incel douch, Harvey Guillen is too adorable for words, and Megan Suri? There’s something about her performance that is intoxicating to see, she has tremendous presence and feels like she’s destined for leading roles. It’s hard to explain why without giving away spoilers, but Lukas Cage pulls off a fascinating performance.

The story? It’s interesting. Yes, it can be argued that the trailer gives away too much, but Companion still has enough tricks up its sleeves to entertain you. You go in knowing what is happening, but the “why” is just as interesting to see play out. I like that Companion is unashamedly feminist AF, taking multiple shots at male entitlement and inadequacy. I’ve seen some defenders of the character in this, saying “he’s just lonely, why is that seen as a bad thing to want someone?” which would be a fair point, loneliness is a huge issue and one that does need a solution. But it’s very telling that when he’s asked to create his “perfect” partner, he tones down her intelligence significantly. He doesn’t want an equal partner, the robot is not to provide love or to share experiences with; it’s to fuck and to have it fawn over him.

There is a feeling that it is holding back at times. She increases her intelligence, but it doesn’t change that much of the plot (although it may be why she decides to switch language at one point in a scene which is, well it’s genius). There are other moments like that; where it comes up with a cool idea but then doesn’t do the most with it.

Those are very minor nitpicks though. Companion is among the best films I’ve seen in a while. It’s slick, stylish without being overly so, violent without being cruel, and it invites discussion and conversation. It’s smart without being pretentious, modern without risking being dated quickly, and digestible without being dumb. I want more horror movies like this. I also want to see Sophie Thatcher in more stuff, as she seems cool. On an equal level with Anya Taylor-Joy for expressive eyes perfect for horror movies. I caught a preview of this a few days before it came out, and I already know I’m going to buy it when it comes out on blu-ray.