2024 In Film: Day 10 (The Amazeballs)

Alien: Romulus
Ups: Tense.
Great performances.
Perfectly ties into the original.
Downs: Some obvious fanservice.
Not enough focus on background characters.
Some of the CGI is a little “off”.
The third act stalls too much.
Best Performer: Cailee Spaeny
Best Moment: The spacewalk through acid blood.
Worst Moment: Not for me, but the “Stay away from her. You bitch” moment has caused a lot of outrage from people.
Opening: A space probe investigates the wreckage of the ship from the first movie. They decide to bring in a large cocooned alien that’s floating nearby. Stupid, but believable.
Closing: Rain enters stasis, with no idea what will happen next. Smart, because it closes the story, but also leaves it open to a sequel if needed.
Best Line: You don’t help her. You run. Get out, however you got in
Original review here

American Fiction
Ups: Incredibly important.
Very funny.
Incredibly intricate plot work.
Downs: Divisive subject matter.
Issa Rae’s character feels slightly underwritten.
Best Performer: Tough, Jeffrey Wright I guess, but Sterling K. Brown is close.
Best Moment: The initial phone call with the publishers.
Worst Moment: The rug pool near the end feels a little unearned.
Opening: A college student complains to her (black) teacher that she’s not comfortable with the N-word, he notes if he can get used to it, she can. Sums up this film; funny, smart, and sets a fire of fury that it is determined to stoke.
Closing: A film based on Monk’s book is being made, and it’s clear that nobody understands the point of his work, leaving him famous but frustrated.
Best Line: “I just think it’s essential to listen to Black voices right now” said by three characters who discount the opinions of the only black people in the room.
Original review here

Boy Kills World
Ups: Batshit insane.
Funny.
Creative action scenes.
Downs: One of the “twists” is a bit obvious.
Music choices don’t stand out.
Best Performer: Jessica Rothe
Best Moment: The first warehouse fight.
Worst Moment: The “twist” is a little underwhelming
Opening: Boys family are executed. Kind of (it’s explained later). Really well done. Doesn’t quite show the batshit insanity the film later perfects, so tonally doesn’t QUITE match.
Closing: The family are reunited. Sweet, but something about it just doesn’t match the rest of the film.
Best Line: When something’s special enough, you can always go back to it. So let’s make this special. Are you with me?
Original review here

Civil War
Ups: Emotional.
Brutal.
Important.
Downs: More backstory would be nice.
A bit too brutal at times, I felt I needed a break.
Best Performer: Cailee Spaeny
Best Moment: The body pit. Harrowing.
Worst Moment: The death of Lee feels slightly unearned.
Opening: Lee meets Jessie after saving her from an explosion. Quite sweet, and helps explain WHY the characters react to each other as they do. Jessie feels admiration towards Lee, and Lee feels Jessie isn’t careful enough.
Closing: The president gets killed. No idea what will happen next.
Best Line: Every time I survived a war zone, I thought I was sending a warning home – “Don’t do this”. But here we are.
Original review here

Inside Out 2
Ups: Emotional AF.
New cast members and characters blend in perfectly.
“Sometimes you’re the asshole” is an important lesson to learn.
Downs: Very similar to the first one.
Best Performer: Amy Poehler
Best Moment: The panic attack. Seems pretty accurate.
Worst Moment: Joy getting rid of the negative memories makes it seem like she didn’t learn from the first movie.
Opening: A standard “here’s what’s new” showing Riley’s friendships. IO2 does focus more on Riley than the first one, but still not enough.
Closing: Riley finds out if she got on the hockey team. She finds out, we don’t. I get why they went with that, but it is a slightly underwhelming ending.
Best Line: I don’t know how to stop Anxiety. Maybe we can’t. Maybe this is what happens when you grow up. You feel less joy.
Original review here

Paddington In Peru
Ups: Exactly what is needed right now.
Utterly charming.
Funny and weird.
A worthy addition to the franchise.
Downs: Do kind of miss Sally Hawkins.
Kind of predictable at times.
Best Performer: Ben Whishaw. I know other performers are better, but this movie lives and dies on his vocal performance. Carla Tous deserves a special mention though.
Best Moment: Paddington surrounded by other bears. Is very sweet and does make you wonder if he’s staying.
Worst Moment: The Paddington In Peru song. Goes on too long.
Opening: Paddington gets a letter. I will say this, PIP does not take long to get to the actual story.
Closing: Hugh Grant’s back!
Best Line: The Lord works in suspicious circumstances.
Original review here

The Iron Claw
Ups: So damn sad!
Good performances.
Good music.
Does a good job of bringing non-fans into the weird world of professional wrestling.
Downs: Skips over quite a lot, including a whole person.
Chronology is all over the place.
Best Performer: Efron.
Best Moment: The afterlife scene, would have been overly schmaltzy and stupid in something else, but it REALLY works here.
Worst Moment: Ric Flair. A diabolically bad performance.
Opening: Fritz buys an expensive vehicle without telling his wife. Not necessary in terms of narrative, but does a good job of setting up his personality of being overly domineering and hiding it under a veneer of love.
Closing: Kevin cries. It’s actually a huge deal as he’s been suppressing his emotions. His kids promise to always be there for him. Genuinely made me tear up remembering it.
Best Line: “I used to be a brother, now I don’t have any brothers”. Based on a true line. It will BREAK you.
Original review here

Transformers One
Ups: Much more mature than you’d expect it to be.
Looks slick.
Good performances.
Downs: Slight ending fatigue.
Best Performer: Brian Tyree Henry
Best Moment: The start of darkness for Megatron. Damn near perfect. The performance, the emotion, it all makes SOO much sense.
Worst Moment: The race, because as good as it is, it could be better.
Opening: Explains the lore, which I’m very glad of because I’m not that familiar with it.
Closing: The battle lines are drawn. I really hope this gets a sequel.
Best Line: “No, I want to kill him”. The moment everything changes and it becomes brilliant.
Original review here

Transformers One (2024) Review

Quick Synopsis: A look at the inciting incident in the hatred between Optimus Prime and Megatron

I was mildly looking forward to this. The trailer caught my attention, and I thought, “That looks like a lot of silly fun.” A bit like the second coming of The Lego Batman Movie, which I still think is dumb brilliance. It’s not dumb brilliance, it’s just brilliant. Yes, it has some silly jokes, but nowhere near as much as it could. Before it fully settled into the tone I spotted numerous opportunities for some silly jokes, and I assumed it was the scriptwriters missing opportunities. That’s my bad, this is not attempting to be silly, just entertaining, and yes, Virginia, there is a difference. Everything makes sense within the logic created. Also, EVERYTHING is played straight, to a horrific extent at some points.

This isn’t a “fun and joy for kids” movie. It deals with colonialism, disability rights, hierarchal power structures, appeals to authority fallacies etc. It doesn’t shy away from darkness, characters are decapitated, torn apart, mutilated at birth, and stabbed repeatedly. You don’t expect kids’ films to feature a scene of a main character being horrifically tortured, and you certainly don’t expect it to be shown and not just implied or cut away from.

This is only the second film that Josh Cooley has directed, and he does brilliantly. It will be a weird thing to say as a response to an animated kid’s film, but I feel he would make a fantastic horror film. He knows about scale, he knows about tension, and he knows how to maximise character pain so that the audience can feel it, I shouldn’t wince in pain when an animated robot gets hurt, but this manages it. He’s helped by the animation style; it is almost stop-motion in how physically real the world looks.

It’s very well cast. There are NAMES in this, Johannson, Hemsworth, Fishbourne, Hamm etc. And all of them nail it, they actually act, and they’re not just doing their normal voices. The real MVP is Brian Tyree Henry. There’s one moment in particular where his performance is one of the best I’ve heard all year, not just in kids films, in general. His conviction and passion is breathtaking, and it’s genuinely chilling to hear him deliver it, particularly the line “No, I want to kill him” which would easily be seen as cheesy if delivered by a lesser performer.

I know I’ve seen the first Michael Bay Transformers movie, and I think I’ve seen the second one too. But I can’t remember much from them, they were fine as I was watching them, but nothing stands out, it was just metal smashing metal like some Robot Fuck Club (great band name). This? I will remember this. At the risk of sounding crude, it’s f*cking fantastic. It has everything I want in a movie; laughs, good characters, references to Key And Peele sketches, looks fantastic, heart, and some mild terror. Some people may argue that the start of darkness is too obvious. Those people are wrong, it’s not “predictable”, it’s foreshadowing/storytelling, and damn fine storytelling at that.

Bullet Train (2022)

Quick Synopsis: Ladybug (Brad Pitt) is an unlucky assassin who’s been tasked to retrieve a briefcase from a train. A train full of other nefarious people including Tangerine and Lemon (Aaron-Taylor Johnson and Brian Tyree Henry), The Wolf (Bad Bunny), The Hornet (Zazie Beetz), The Prince (Joey King), and The Father (Andrew Koji) also all want the briefcase in this fun neon insanity directed by David Leitch (Atomic Blonde, Deadpool 2).

My expectations for this: dumb fun. I’d watch it, be slightly amused, but come out thinking I could have watched this on Netflix.

In reality, I’ve seen this film twice already now. It’s among my favourites of the year. It just works. Action films depend on the two C’s: Characters and Choreography. Characters; You can have faceless mooks be injured and killed, but if it’s a one-on-one fight scene and you don’t care about one of the characters, the stakes will seem lower. A random person being punched in the face? Meh, who cares? Clive, who we know is working this low-level job to pay for his daughter’s hospital bills, and we witness him being injured? We care, we worry about Clive and the implications of him being injured. This film nails that aspect, there are moments where characters get a long introductory montage full of motivation and background, and then only last 5 minutes before dying. Some may find this frustrating but I loved it. Not only because it added character motivation to random fights, but also meant that there was a real “anyone can die” feel to the whole thing. You watch this knowing that any character could suddenly be killed, and not dramatically or meaningfully, characters can be killed by accident in the blink of an eye.

Now, choreography. I dislike a lot of modern action films for one simple reason: you can’t actually see what’s going on. The camera moves so quickly that your brain is forever playing catchup to your eyes. The fight scenes in this are brilliant. They’re brightly lit, and choreographed SO WELL. Unless it’s purposeful misdirection, you know where everybody is at all times and can clearly see everything that’s happening. It kind of helps that everybody looks so different so even when it is just two people grappling and rolling, you can tell who is winning, there’s none of those issues you had with Morbius where it just looked like a blob of flesh whirling around. This has some of my favourite fight scenes I’ve seen in a long time.

It looks great, the bright colours and unique setting help create a visual feast for the eyes. It’s like a weird mix of Edgar Wright, Guy Ritchie, and Chad Stahelski. The Guy Ritchie comparisons also extend to the story and the dialogue. There are lots of F-words, lots of character introductions via flashback, and lots of deadly misunderstandings and miscommunications. If the characters were terrible, that would hurt the film. But as it is, it works. The characters are all different enough that when you get another introduction, it doesn’t hurt the film. I would watch a spin-off film based around almost any one of these characters. The script is also VERY funny, there was sustained laughter throughout the cinema when I saw it. Different types of comedy too, there’s absurdity, wordplay, physical humour etc. It runs the gauntlet of different comedic styles flawlessly, whilst also putting in many references to Thomas The Tank Engine, more than most films.

Now onto the downsides: the CGI is slightly ropey at times. Usually not distractingly so but there a few moments which just don’t look “right”. There’s a moment near the end where Brad Pitts performance feels a little off. It’s hard to explain it, but it doesn’t feel like he’s interacting with a person, feels like he’s just on his own in a room reading lines. It’s strange as 99% of the time he can be depended on for a very good performance, and in most of this he’s perfect. There’s just that one scene which is a little off. One of the characters deaths doesn’t feel very satisfying. This persons comeuppance is constantly teased throughout, and when it does happen it feels like it happens too quickly.

Overall, I highly recommend this. As I said, I’ve seen it twice already, and will definitely be getting it on DVD, I’m already considering buying the soundtrack.