Quick Synopsis: Struggling to find purpose, an American actor lands an unusual gig with a Japanese agency to play stand-in roles for strangers. As he immerses himself in his clients’ worlds, he begins to form genuine bonds that blur the lines between performance and reality.

Thoughts Going In: None, it was a secret screening, and I assumed it would be Saipan.

If you think about this movie for more than a minute, it falls apart. Not just one or two moments. I mean, the entire premise falls apart. He’s in Japan because he received an acting job there years ago, so why would the Rental Family company hire him to pretend to be someone else for different families? They must know that at least one person will go “hang on, I’ve seen you on TV” and find him on IMDB, and thus find out his real name. Unsurprisingly, that does happen. Yes, it was just an advert (and a few TV shows), but if Barry Scott from the Cillit Bang adverts turned up at a pet shop in Cardiff, a few customers would notice. There are a few other issues I have with RF: the two subplots of him pretending to be a fan of a female performing duo and playing video games with a male shut-in just disappear. Would it have been too much of a stretch to have him take the shut-in to see the singers and have him befriend one of the women? So they have a genuine fan, and he has a reason to leave the house. There’s also another character who is clearly important to Phillip, yet is only in two scenes and really isn’t given enough to do. Overall, it’s a mess which doesn’t do enough to flesh out most of its characters.

So why did I like it so much? Even as deeply flawed as it is, it’s really hard to not feel charmed by it. There are two main relationships Phillip has as part of his job: one with retired actor Kikuo Hasegawa (Akira Emoto), and one with a schoolgirl called Mia (Shannon Mahina Gorman). With Kikuo, Phillip has to pretend to be a journalist making a profile of him. With Mia, he has to pretend to be her father who abandoned her, because the school that her mother wants her to attend is very old-fashioned and needs to believe Mia is part of a traditional family (again, not sure how this will work once she’s there and tells teachers her dad left again). Both allow him to display different sides of his personality and background. It is somewhat strange that they don’t overlap at all, but that’s maybe my brain being wired by too many episodes of Seinfeld, where two separate plots meeting at the end was one of their trademarks.

They’re both emotional as hell, and both end up as you’d expect them to. It’s really not a surprise that the old actor with dementia will die, and it’s also not a surprise that Mia will find out the truth. But if you go into a film like this expecting to be surprised, you have the wrong mindset. This isn’t a movie for plot twists and surprises; it’s a movie to sit back and watch, allow it to emotionally wrap itself around you in a comforting embrace. It’s not a film to challenge you; it just makes you happy, makes you sad, then makes you happy again. That’s not to say it’s stupid or simple. A lot is going on with the workers of the Rental Family company, but I wish that stuff were given more time, as some of it doesn’t really have enough time to land emotionally: Aiko’s arc, where she gradually gets tired of being yelled at and called a whore by random women because the husbands are too weak, feels like it could have been explored more. I would like to have seen more of Shinji, his boss, but I’m not sure how that could have been done without exposing his secret early.

In summary, flawed brilliance.