Quick Synopsis: It’s a Disney movie called Haunted Mansion, don’t pretend you can’t guess that plot.
Disney is a huge company, I don’t think I’m breaking new ground by stating that. But it is an American company, again, I’m not exactly being controversial or shocking by stating that. As such, whilst parts of Disney are known worldwide (the characters, the logos etc), there are a few things that aren’t really iconic outside of the US: primarily things relating to the theme parks. Yes, people know the name “Space Mountain”, but outside of the name, the ride itself isn’t that well known. That’s why making a film based on a ride is always tricky because you’re aiming at a market with little knowledge of the IP you’re basing it on. If it’s something like Pirates Of The Caribbean then you work around it by not really basing it on the ride at all. But Haunted Mansion is one that is known to Americans, they are aware of the music, the visuals, and the story about the ride. So Disney needs to create something that would play to people who know nothing about the ride, whilst also making it worth seeing for people who adore the ride because even something as small as using the wrong shade of blue will make fans furious, Disney fans be crazy yo.
So, does this work? I think it does. I am a huge fan of child horror; that’s “horror aimed at children”, not “horror starring children”, so more “Casper the Friendly Ghost” than “Minipops” (which whilst not a horror, is very creepy and disturbing). I think PG horror is a great way to get kids into the horror. If you ask horror fans about their first experience of the genre, a large portion of them would choose something like Scary Stories To Tell In The Dark, Goosebumps etc. Haunted Mansion does a good job as something that will unlock the door for future horror fans; it has some well-crafted spooky moments (I wouldn’t really count them as “scares”) and set pieces that will live long in the memory. It’s helped by the fact it’s directed by Justin Simien, who gave the world the cult horror Bad Hair. He knows how to craft a genuine scare, and tones it down so that he can provide chills to kids (a bit like an ice cream man).
But what if you’re one of the 100% of people who read these reviews but aren’t a child? It’s going to be harder for you to like it. There’s a lot to appreciate in it, for sure. I don’t think LaKeith Stanfield has a reputation worthy of his talent. I genuinely believe he’s one of the best all-rounders the industry has; a face that suits magazine covers, the perfect voice for audiobooks, plus the ability to deliver an incredibly powerful monologue that will bring you to tears. He’s the ace in Haunted Mansions hole (phwoar). Don’t get me wrong, the other performers are fine, Rosario Dawson rarely gives a weak performance, Danny DeVito is always a pleasure to see (in a film, when he appears on the end of your bed at 2am clutching a bloody ice pick? Not so much), and Chase W Dillon gives a performance beyond his years. But everyone else is acting like they’re in a Disney movie, all overly expressive and aimed towards a mass audience. That’s fine, that’s really all you need in a film like this. But Stanfield? He performs like he’s in an Oscar-bait drama. The characters are all really well-written by the way. Although I’m still not exactly sure what Owen Wilson’s character brought to the film. But the rest? They mostly act in an intelligent manner. They don’t ignore obvious signs of hauntings, when they see evidence of ghosts they leave the house immediately.
The music? It should be better. I can’t remember any songs from this. I know a song played at the end, but I can’t recall it. I still get a song from Goosebumps 2 stuck in my head, so it’s not a memory problem; it’s an effectiveness problem.
So in summary? Wait until it inevitably comes on Disney Plus, which will probably be near Halloween. Would make sense, a film like this is made for watching after/before you go trick or treating. It’s not made for watching in the middle of summer, and I’m not really sure why they released it now, and why they gave it almost zero advertising. I know for a fact I’m going to check it out when it’s on Disney, but that’s mainly to figure if it actually did have two title cards at the start or whether my brain is inventing one of them.